Now you have four guitar players (plus bass guitar) on stage with a wall of sound that is unbeatable. Going even further, I bought a stereo TC Electronic Mimiq doubler pedal, then flip the toggle switch to "1" and split the signal into L/R using two different amps. You can go even further and have an A/B/Y pedal and select when to actually play live or "let the looper handle it", in real-time. The FUN part is recording the lead guitar parts perfectly at home, saving/running it through a looper, into a real amp, and then playing the notes on stage without ever having to look down. (which I recorded myself) and then downloaded into the Jamman. One guitar was me - always the lead - and the other two were rhythm which were playing two different chord voicings or arpeggios etc. In the past, I have used three separate amps on stage to mimic three live guitar players. ![]() Once I figured how to incorporate WAV files into a looper for backing tracks, I stopped looking for another member to join the band. I do this all the time and it sounds great! I figured this out only because I was looking for a way to add another guitar "player" into our live mix using a real guitar amp on stage, not a PA speaker. At the tube amp, I set the reverb, EQ, gain, and master volume and leave it alone. The left channel (dry guitar) goes straight into the front input of Fender Hot Rod Deville 4x10 tube amp using a balanced 1/4" TRS cable. The right channel (click) goes directly from the looper to the drummer's in-ears. I then save both tracks as a single stereo WAV file and download it onto a tiny SD card which is then inserted into the looper. I then generate a click track on the right channel, panned full right. For one guitar, I record a dry guitar track into Audacity, panned full left. ![]() ![]() I use two Digitech Jamman Solo XT stereo loopers, both connected via a Jamsync cable. Resurrecting an 18 month old thread only because I am using a looper as a re-amping solution for LIVE use, not recorded. ![]() I use the TC Wiretap Riff Recorder that is a little bit unusual looper pedal (no overdubs, storing of phrases into the internal memory), but you can do the same with a classic TC Ditto or Boss RC loop station or Digitech JamMan.ĭo you also use a looper instead of a reamp box? If so, what looper pedal do you use? Doesn't add coloration to your tone, the only differences compared to the guitar->amp tone coming from the AD/DA conversion, but with the 24-bit or 32-bit AD/DA conversion, the degradation is practically nil. Moreover, while reamp boxes add something to your tone, some of them being brighter and airy, other ones being rounder and fuller, a looper pedal is quite neutral. Instead of recording your dry signal into your audio interface, and reamping it through a reamp box, I record my dry signal into a looper, store it, then playback it directly into my tube amp or pedals and record it using microphones. I found an easier and cheaper way to perform reamping using.a guitar looper pedal! In pro studios reamping is a well known technique for recording guitars, but a good reamp setup needs a good DI box (Radial J48 for example, or something similar), an audio interface (obv), and a reamp box (another Radial, probably).
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